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Discover the highlights

These masterpieces are each considered artistic highlights in their own way, illustrating a specific movement or development in the field of sculpture. They are also relevant in the body of work of these international artists.

Vic Gentils (Belgium)

Ilfracombe, 1919 – Antwerpen, 1997

Mayor Lode Craeybeckx

Henry Moore (United Kingdom)

Castleford, 1898 – Much Hadham, 1986

King and Queen

Rik Wouters (Belgium)

Mechelen, 1882 – Amsterdam, 1916

The Mad Maiden

Auguste Rodin (France)

Parijs, 1840 – Meudon, 1917

The Bronze Age

Auguste Rodin (France)

Parijs, 1840 – Meudon, 1917

Balzac

Emile- Antoine Bourdelle (France)

Montauban, 1861- Le Vésinet, 1929

Hercules the Archer

Constantin Meunier (Belgium)

Etterbeek, 1831- Brussel, 1905

The Sower

Jean Arp (France)

Strasbourg, 1887 – Basel, 1966

Tree of Bowls

Aristide Maillol (France)

Banyuls-sur-Mer, 1861- 1944

The River

Max Bill (Switzerland)

Winterthur, 1908 – Berlijn, 1994

Endless Loop

Giacomo Manzù (Italy)

Bergamo, 1908 – Rome, 1991

The Cardinal

Pablo Gargallo (Spain)

Maella, 1881 – Reus, 1934

Prophet

Henri Laurens (France)

Paris, 1885 - 1954

Océanide

Raymond Duchamp-Villon (France)

Damville, 1876 - Cannes, 1918

The Large Horse

Eugène Dodeigne (France)

Rouvreux, 1923

Three Standing Figures

Carl Milles (Sweden)

Lagga, 1875 - Stockholm, 1955

Pegasus

Camiel Van Breedam (Belgium)

Boom, 1936

Sun Cart

Albert Szukalski (Germany)

Furth im Wald, 1945 - Antwerpen, 2000

Dialogue

Jesús Rafael Soto (Venezuela)

Ciudad Bolívar, 1923 – Parijs, 2005

Double Progression

Alexander Calder (United States)

Philadelphia, Pennsylvania, 1898 – New York, New York, 1976

The Dog

Marino Marini (Italy)

Pistoia, 1901- Viareggio, 1980

Miracolo

Barbara Hepworth (United Kingdom)

Wakefield, 1903 - Cornwall, 1975

Cantate Domino

Constant Permeke (Belgium)

Antwerp, 1886 - Ostend, 1952

Marie-Lou

François Pompon (France)

Saulieu, 1855 – Paris, 1933

Polar Bear

Laurence Weiner (United States)

New York, 1940

Wind and the Willows

Carl Andre (United States)

Quincy, Massachusetts, 1935

74 Weathering Way

Juan Muñoz (Spain)

Madrid, 1953 – Ibiza, 2001

Two Figures for Middelheim

Thomas Schütte (Germany)

Oldenburg, 1954

Thousand Tongues

Luciano Fabro (Italy)

Turin, 1937 - Milan, 2007

Bathers

Guillaume Bijl (Belgium)

Antwerp, 1946

Roman Road

Per Kirkeby (Denmark)

Copenhagen, 1938

Untitled, Antwerp Middelheim

Franz West (Austria)

Vienna, 1947- 2012

Freie Form

Matt Mullican (United States)

Santa Monica, California, 1953

Untitled

Henk Visch (Netherlands)

Eindhoven, 1950

Telling No Lies

Panamarenko (Belgium)

Antwerp, 1940

Archaeopterix Lithografica

Isa Genzken (Germany)

Bad Oldesloe, 1948

Fenster I & Fenster II

Atelier Van Lieshout (Netherlands)

Ravenstein, 1963 (Joep van Lieshout)

AVL Franchise Unit

Charles Vandenhove (Belgium)

Teuven, 1927

Column Pavilion

Tony Cragg (United Kingdom)

Liverpool, 1949

Envelope

Joachim Bandau (Germany)

Cologne, 1936

Fragment

Harold Klingelhöller (Germany)

Düsseldorf, 1954

Die Furcht verläszt ihren Gegenstand und geht über in Hass

Bernd Lohaus (Germany)

Düsseldorf, 1940 – Antwerp, 2010

Middelheim

Honoré d'O (Belgium)

Oudenaarde, 1961

Shouting is Breathing

Jessica Stockholder (United States)

Seattle, Washington, 1959

Born of Landscape Linoleum

Timm Ulrichs (Germany)

Berlijn (1940)

Modelhäuser Typ Bomarzo

Didier Vermeiren (Belgium)

Brussel, 1951

Place

Franz West (Austria)

Vienna, 1947- 2012

Sphairos

Luc Deleu (Belgium)

Duffel, 1944

Orbino

Dan Graham (United States)

Urbana, Illinois, 1942

Belgian Funhouse

Chris Burden (United States)

Boston, Massasuchetts, 1946

Beam Drop Antwerp

Pedro Cabrita Reis (Portugal)

Lisbon, 1956

The Passage of the Hours

Erwin Wurm (Austria)

Bruck an der Mur, 1954

Misconceivable

Corey McCorkle (United States)

La Crosse, Winsconsin, 1969

Yayoi

John Körmeling (Netherlands)

Amsterdam, 1951

Artiesteningang

Ai Weiwei (China)

Beijing, 1957

The Bridge without a name