‘Entree>Exit’ showcased a selection of artworks by graduate students of the Antwerp art colleges as part of their final dissertation.
VIRUS examined the relationship between the recognised or formal art world on the one hand and officious or informal art practice on the other.
In 2006 besloten de respectieve stadsbesturen van Antwerpen en Rotterdam om in de toekomst meer samen te werken op vlak van cultuur.
Jan Kempenaers showed photos of monuments in former Yugoslavia in the Braem Pavilion in Middelheim Museum.
With works by sick, mentally disabled or isolated artists who are not well-known on the professional circuit.
Eleven Belgian and international artists gave their own contemporary interpretation of sculpture as a genre for this group exhibition.
This exhibition featured a selection from the hundreds of drawings for the design of the Middelheim Pavilion, in the pavilion itself.
Nine artists reflect on the status and relevance of sculpture as a genre.
The Italian author Matteo Galiazzo and the Nigerian-Belgian artist and architect Ola-Dele Kuku were inspired by the letter E.
